What we do.

Music Supervision for Film and TV.

Our slate includes some of the most exciting content from the UK and US. We pride ourselves on perfectly balancing the art of music to picture with the business of music licensing. Overseeing every aspect from song research and licensing to composer creative.

We offer an all encompassing service for all film and television formats. services can be contracted separately depending on the productions needs.

• Creative searches and delivery of creative cues within budget and brief. Covering any era, genre or territory.

• On-set supervision, pre-record, playback and coach management.

• Composer, Exec Music Producer and Songwriter searches, negotiation and contracting.

• Music budget analysis and management.

• Bespoke composition and re-records

• Cue Sheet fulfilment and contractual delivery.

• Score supervision.

• Score funding

• OST deal partnerships and negotiations.

• Score publishing, administration and collection of music royalties.

• Music Editing

Rupert is co-founder and creative director of Redfive. Ru started his career in music publishing in 1998, initiating the synchronisation departments at both Music Copyright Solutions, and latterly Kingstreet Media. Subsequently, as a freelance music supervisor, Ru worked on various global advertising campaigns with brands including Marks & Spencer, Nike, as well as the Discovery Channel and National Geographic. After four years as a freelance music supervisor, in 2009 joined Imagem (now Concord) as Head of Film exploitation. During his time at Imagem, he represented the Rodgers & Hammerstein and Boosey & Hawkes catalogues, as well as numerous artists and bands on the contemporary roster including Daft punk, Mark Ronson, Pink Floyd, Vampire Weekend, Genesis, and The Stone Roses. During his five- year tenure, Rupert worked with brands such as Reebok, Skoda, Next, Hyundai, and Tesco amongst others, and several successful US, UK and European-based films. He joined Metropolis Group in 2014 as Creative Director and founded the publishing division (Metropolis Music Publishing) and quickly secured an impressive repertoire of artists, bands and composers, racking up multiple synchronisation placements and campaigns. Having also founded and set up Metropolis Music Supervision, in 2016 he won both Best TV Advert and Overall Sync of the Year as music supervisor at the MusicWeek Sync Awards.

Since co-founding music supervision agency Redfive, Ru's film and TV projects include Golden Globe, BAFTA, and Oscar-nominated projects films such as “The Wife”, “McQueen”, and Number Nine Film's adaptation of the Kazuo Ishiguro novel, “Living”, starring Bill Nighy, and also films & TV series such as “Mothering Sunday”, Guy Ritchie’s, “Ministry of Ungentlemanly Warfare”, “The Critic”, “Boat Story”, “The trip to Greece”, The Salt path”, and The Surfer”.

Ru is co-founder and Vice President of The UK & European Guild of Music Supervisors.

Cheryl Xiaoning Wang is a bilingual music supervisor from China, currently based in Los Angeles. After years of experience in film accounting and distribution in China for companies like DreamWorks and IMAX, Cheryl relocated to the US, obtained her Film MFA in Creative Producing from Columbia University, and found her calling in music supervision.

Committed to the synergy between music and visual storytelling, Cheryl has curated soundtracks for films, television shows, and documentaries, with her work featured at prestigious film festivals worldwide, including Cannes (Armageddon Time, Splitsville, The Last Movie Stars), Sundance (Shortcomings), NYFF (Janet Planet), TIFF (The Ballad of Suzanne Cesaire, Bruiser), SXSW (X, Bunny), among others. She is a proud member of the Guild of Music Supervisors, a Women In Film Fellowship recipient, and the first music supervisor accepted into the BAFTA US Newcomers Program. Deeply passionate about women's stories and global music, Cheryl strives to bring more diverse, inclusive narratives and sounds to the forefront through her work.